UDANEGARA AS AN AESTHETIC BASIC OF NGAWONGGO SUB-STYLE PUPPETRY (Study Of Pakeliran Mariyanto In Lakon Retna Paniti)

ABSTRACT: NgawonggoSub-style has its own characteristics, both the and the elements of working on thework. Trah the Ngawonggo has a lineage from the palace. As for the pakeliran, Ngawonggo has its ownstandard play totaling seven series and the performance is begun by the GatotkacaBaladewa war before the jejer.In the play RetnaPaniti, Mariyanto’s presentation, found the concept of reason, proper, test and pénak ora ngayawhich is based on the concept of udanegara. As illustrated in Mariyanto’spakeliran, various scenes displayedthrough elements of pakeliran work always stand on the country. Mariyanto as the embodiment of theNgawonggo sub-style indicates that the others of the Ngawonggo family also make udanegara a foothold orcore concept in their work.

Keywords: Aesthetic, udanegara,Ngawonggo Sub-style, RetnaPanitiLakon